As taught at the 2009 Stanford Dance Weekend
by Richard Powers and Angela Amarillas


Background:   During the 1950s, American teenagers made significant changes to swing dancing.  The strong backbeat of rock'n'roll music drove some of these changes, and teens didn't want to dance like their parents, who were actively disapproving of their lifestyle.  1950s teens changed swing's walking step into a touch-step (or tap-step), replaced the triple step with a hooked triple, and some teens replaced swing's rock step with walking forward into a swing figure.   i.e., this third change was a figure-ground reversal — the former traveling steps of swing were now done in place; the former rock-step in place now traveled.  These are just a few of many modifications that fifties teens made to swing's steps, style and figures.  At first these changes were highly varied and regional, but spread nationally when American Bandstand began broadcasting in 1957.

The 60s and 70s:   During the 1960s Twist era, New York City Hispanics, largely Puerto Rican and Cuban, kept the fifties "bop" tradition alive, at the St. Mary's Church dances in the Bronx and elsewhere.  When the disco scene erupted in New York City in 1970, at The Loft, Gallery and Paradise Garage, partnered dancing was revived, with the disco dancers adopting the local teen swing style kept alive by Latinos during the sixties (hence the term Latin Hustle).  The structure, step patterns and figures of disco Hustle are essentially the same as 1950s teen jitterbug/bop, mothballed for a decade.  The music and walking style were new, however, which gave this form of swing an entirely different look.

During most of the seventies, disco dancing was primarily partnered dancing, the living tradition of swing.  That changed in 1978.  To quote Maria Torres, a disco dancer from NYC, "The thing which really killed partner dancing was Saturday Night Fever [December 1977].  It was originally an underground dance, done mainly by Hispanics, blacks and gays, who could really do partner dancing.  They were incredible, but that was an underground thing.  Then when Saturday Night Fever came out, the masses flocked to the clubs to experience what they saw in the movie.  But what they thought the Hustle was was freestyle, because that's what John Travolta did."  Partnered Hustle did continue, but was somewhat overshadowed by freestyle solo dancing in the final two years of the disco craze.

The sources:   Richard worked as a media and club designer for a large network of discos (New York, Boston, Ft. Lauderdale, Buffalo, Minneapolis and Houston) in the seventies, from before Saturday Night Fever launched the disco fad until after it all subsided.  He traveled to all of these clubs and participated in the huge NYC disco conventions as well, so he had a chance to see all of the phases of the disco craze.  In addition, he has reconstructed dances from 60 disco dance books printed between 1975 and 1980 (see the bibliography at the bottom of this page).





STEPS DONE IN CLASS

Street Hustle  (also called Rope Hustle, Disco Merengue and Merengue Hustle)

Man Steps L
Step R   (those two steps usually make a swing move)
Rock back L
Replace R
     Woman steps opposite, beginning R.
     The first three steps can be done in place, forward or backward, as needed.
     Timing is an even quick-quick-quick-quick.

 — Or rock step first —
Man rocks back L
Replace R
Step L
Step R
     Betty Lee's timing: The first (rock) step is a quick step, 2 and 3 are slow, 4 is extra slow.
     Count:   and 1   2   3   hold.


American Hustle  (also called The Hustle, New York Toe Hustle and Easy Hustle)

Man: Taps L foot to the L without weight (or tap in place, or tap crossing behind)
Close L to R with weight
Tap to the R side without weight
Close R to L with weight     either in place     or start walking forward R
Step L     either in place     or rock back     or travel forward
Step R     either in place     or replace     or travel forward
     Woman steps opposite, beginning R.
     The last 3 steps can be done in place, forward or backward, as needed.


Latin Hustle  (also called The Hustle, Latin-Swing, New York Hustle and Manhattan Spanish Hustle)
   This was the most commonly described Hustle in the disco dance manuals.

Man: Tap L foot to the L without weight   (or tap in place, or tap crossing behind)
Close L to R with weight
Quick step back R.  Quick close L to R with weight
Step forward R
Step L
Step R
     Count:   1   2   3 and   4   5   6.
     Woman steps opposite, beginning R.
     The last 3 steps can be done in place, forward or backward, as needed.


OTHER 1970s DISCO STEP PATTERNS, not done in class

Disco Swing   1950s Bandstand-style 6-count triple swing done with disco style and attitude.
     Hook-step-step, hook-step-step, walk, walk.    A 1979 instructional video clip is here.

Continental Hustle   Similar to American Hustle.  Side L, tap R closed to L, side R, tap L, walk L, walk R.

New York Hustle   Simple 4-count touch-step-touch step in place.

Tango Hustle   Morph of Tango and Hustle invented for Saturday Night Fever and imitated thereafter.

3-Count Hustle   Appeared in only 2 sources at the very end of the 70s.  Then it became mainstream in the 80s.

Plus many others:  Latin Street Hustle, Triple Hustle, Two-Step Hustle, Lindy Hustle, Fox Trot Hustle, Kick Hustle, Cha-Cha Hustle, plus many line dances called Hustle.






FIGURES done in class  (only a few of many)


Butterfly  (also called Walk Around Turn, Crossover and Passing Turn)
    Take an open two-hand hold and walk around each other, turning clockwise or counterclockwise.


Follow's Outside Underarm Turn  (also called Arch Turn and Outside Spin)
    In Place:  She does a CW spot turn in place; he stays in place.
    Crossing Over:  Woman passes forward by his left side, turning CW, as in 50s bandstand swing


Follow's Inside Loop Turn  (also called Reverse Underarm Turn and Inside Spin)
    In Place:  She does a CCW spot turn in place; he stays in place.
    Crossing Over:  Woman passes forward by his right side, turning CCW.


Waist Slide  (also called Belt Scratch)
    He raises his free R arm slightly, walks forward toward his left breaking through held hands (scratching his belt buckle into held hands), as she walks forward past his left side.
    One version has his R arm raised high.  A disco film shows him changing her hand into his R.


2-Hand Loop-De-Loops (also called Wrap Turns, Woman's Walk Around and Loop Pass)
    2-hand Follow's Loop Turn followed by 2-hand Waist Slide


Dishrag  (also called Crossed Twirl and Twist Turn)
    From either open 2-hand hold or crossed hands, he raises both hands to turn her under.


Wrap  (also called Cradle, Cuddle Turn and Sweetheart)
    From 2-hand hold he wraps her CCW in to his right side.


Wheel
    Once wrapped up, both walk around the other.  Whoever is wrapped usually backs up.


Lead's Wrap (Lead's Sweetheart)
    From 2-hand hold, he raises his R hand and wraps himself CCW in to her R side.


Lead's Wrap and Duck-out
    The same followed by a Wheel with him backing followed by his ducking and backing out.


Roll Off the Arm
    From the Wrap he releases L, she unwinds to swingout at his right side.


Lateral Dip  (only one of many disco dips and drops)
    From Rolling Off the Arm, she spins back into Wrap, he lunges side L and she leans into his hip.




DISCO BIBLIOGRAPHY   From the collection of Richard Powers

1975    Rolling Stone Magazine     Disco Issue  (10 articles)     NY
1976    Adam VIII Ltd.     YOU CAN LEARN TO HUSTLE   Instruction Booklet w/ Disco Hustle LP     NY
1976    The Hustle Factory     DO THE HUSTLE - LP with vocal & printed instructions     Terre Haute IN
1976    Arthur Murray Schools     LET'S DANCE  (with disco and Hustle)     NY
1976    Rolling Stone, Publisher; Abe Peck, Editor     DANCING MADNESS     NY
1976    Jeff & Jack Shelley     LEARN DISCO DANCING - LP with vocal & printed instructions     NY
1976    Jeff & Jack Shelley     LEARN DISCO DANCING - 8-track tape instructions     NY
1976    Newsweek Magazine     THE DISCO WHIRL  (cover story)     November 8 issue
1976    Tee Vee International, Inc.     VOUS POUVEZ APPRENDRE LE HUSTLE     Markham, Ontario
1977    Imperial Society of Teachers of Dancing     DANCING BALLROOM, LATIN AMERICAN AND SOCIAL     London
1977    Betty White     HOW TO HUSTLE  (LP instructions)     NY
1977    Betty White     HOW TO LATIN HUSTLE  (LP instructions)     NY
1978    Anon.     GET DOWN, FEVER DANCE - mimeographed instructions
1978    Skippy Blair     DISCO TO TANGO AND BACK,    Downey, CA
1978    Ann Czompo     DISCO HUSTLE!     Homer, NY
1978    Uta Fischer-Munstermann     JAZZ DANCE  including DISCO DANCING     NY
1978    Gateway Records     HUSTLE, BUS STOP & LINE DANCES - illustrated instructions in LP
1978    Albert Goldman     DISCO     NY
1978    Albert Goldman, LIFE Magazine     "The Delirium Of Disco"     November issue
1978    Kitty Hanson     DISCO FEVER     NY
1978    Carole Howard     THE COMPLEAT GUIDE TO SURVIVAL SOCIAL DANCE (including Disco)     Minneapolis
1978    Janet Jasek     DISCO LOVERS GUIDE TO DANCE     South Bend, IN
1978    K-Tel Records     LEARN TO DO THE HOT CHOCOLATE - illustrated instructions in LP     NY
1978    Karen Lustgarten     THE COMPLETE GUIDE TO DISCO DANCING     San Francisco
1978    Roy Madrid     DISCO... YOU SHOULD BE DANCING     Los Angeles
1978    Steve Ramacher     LET'S DISCO, A Complete Instructional System for Disco Dancing     MN
1978    Shelly Schunick     DISCO STEPPIN' - instructions and LPs     Baltimore, MD
1978    Time Magazine     "Travolta Fever"  (cover story) April 3 issue     NY
1978    Aurora Villacorta     DISCO     Danville, IL
1978    Jack & Kathleen Villari     THE OFFICIAL GUIDE TO DISCO DANCE STEPS     Secaucus, NJ
1978    Lester Wilson     DANCE DANCE DANCE    
1979    Andy Blackford     DISCO DANCING TONIGHT     London
1979    Nancy Bruning     THE KIDS' BOOK OF DISCO     NY
1979    Bill Butler & Elin Schoen     JAMMIN', Complete Guide to Roller Disco     NY
1979    Joetta Cherry & Gwynne Tomlan     DISCO DANCING     NY
1979    Randy Deats     DANCING DISCO     NY
1979    Alma Heaton and Don Zimmerman     DISCO WITH DONNY & MARIE
1979    Janet Jasek     DISCO TEXT - The Complete Book of Disco Dance Instruction     Lansing, IL
1979    Ann Kilbride & A. Algoso     THE COMPLETE BOOK ON DISCO and Ballroom Dancing     Los Alamitos, CA
1979    Kerry Kollmar     ROLLER DISCO DANCING (with photos of Kevin Bacon)     NY
1979    Jena Lauren     DISCO     Los Angeles
1979    Lauter Publ Co     DISCO STEPPIN' OUT Magazine Vol. 1, No. 1     Hollywood, CA
1979    Carter Lovisone     DISCO HUSTLE
1979    Karen Lustgarten     THE COMPLETE GUIDE TO TOUCH DANCING     San Francisco
1979    Karen Lustgarten     GUIDE COMPLET, DANSE DISCO     Montreal Quebec
1979    Judi McMahon     A GUIDE TO DANCING DISCO     NY
1979    Jennifer Meloney     YOU CAN DISCO     NY
1979    Roberta Morgan     DISCO     NY
1979    Arthur Murray Disco Dance Studio     "DISCOPEDIA" DISCO DANCE LESSONS (series of 4)     NY
1979    Newsweek Magazine     "Disco Takes Over" cover story     April 2, 1979     NY
1979    David Peterson & Laura Trepanier     DISCO JUNCTION, Dance Book 1     Minneapolis, MN
1979    Bruce Pollack     THE DISCO HANDBOOK     NY
1979    Maxine Polley     DISCO BASICS     Englewood, NJ
1979    Rolling Stone Magazine     "Disco"     April 19, 1979
1979    Brian Sherratt     DISCO CHIC     NY
1979    Lani van Ryzin     DISCO     NY
1979    Deney Terrio     THE PROFESSIONAL APPROACH TO DISCO INSTRUCTION     NY
1979    Betty White     HOW TO DISCO DANCE (with audio cassette)     NY
1980    MAD Magazine     DISCO - Special issue on disco, with a vinyl parody disco record
1980    Dennis Fallon     THE ART OF DISCO DANCING     St. Louis, MO
1980    Ronald Lackmann     DISCO! DISCO! DISCO!, A Guide to Disco Dancing     Middletown, CT
1980    Leonard McGill     DISCO DRESSING     NJ
1980    Vita Miezitis     NIGHT DANCIN'     NY
1980    Jerolyn Ann Nentl     DISCO DANCING     Mankato, MN
1981    Pamela Morton     BASICS OF DISCO DANCING     Boston




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